bitwig studio 2.3 firewire audio interface

Bitwig studio 2.3 firewire audio interface update#

New Modulator: Voice Stack – The Voice Stack modulator can be used in conjunction with voice stacking for detailed mapping control of each voice in the stack.

Bitwig studio 2.3 firewire audio interface update#

Voice Stacking – The update introduces voice stacking for a selection of internal instruments, opening up new sound design possibilities. Furthermore, the Remote Controls follow your selection in a dynamic and predictable way. You can freely switch between layers without hard breaks or clicks, and your sustained notes and reverb tails will fade away naturally. They can also be used as multi-effects, permitting modulation and automated switching between layers. These devices are excellent for live use, particularly for swapping between patches and sounds - and not overloading your system in the act. Only one layer can be played at a time, and the other layers are inactive to both your ears and your processor’s load. Instrument & Effect Selectors – The Instrument Selector and Effect Selector are exclusive layer devices. Bitwig’s own Stretch and Stretch HD algorithms have also been improved, and there are two new ones: Slice, which slices audio at onsets, and Cyclic, a touch of retro-stretching inspired by early hardware samplers. New and Improved Time-stretching – Bitwig Studio has received a generous boost in the time-stretching department, by licensing the Elastique algorithms from zplane. You can even set a time signature for a master clip in the clip launcher, using it to change or record time signature changes on the fly. You can now also set time signature properties for clips, offering a flexible note grid to satisfy your musical needs. Time signature changes will be included when exporting or importing MIDI files. Time Signature Changes – With Bitwig Studio 2.3, you can now add time signature markers in your arranger timeline, and the timeline grid will be updated accordingly. Also available as a detached floating window, the Expanded Device View enhances the connection, understanding, and control of each device. The oscillators can also manipulate the built-in filter section, for ‘crisp and edgy textures’.Įxpanded Device View – Panoramic view and controls are now available for seven devices: EQ-5, FM-4, Phase-4, Polysynth, Resonator Bank, Sampler, and Spectrum Analyzer.

This combination of phase distortion and phase modulation – phase manipulation – brings Phase-4.

Each oscillator can also be phase-modulated, by itself and by the other three oscillators, producing a vast range of possible sounds and timbres. At the heart of the stereo oscillators in Phase-4 is a sine wave that can be shaped by five different phase distortion algorithms.

Drawing inspiration from legendary digital synths like Yamaha’s DX7 and Casio’s CZ series, Phase-4 is capable of vintage sounds, but it goes further, greatly expanding these phase manipulation concepts. Phase-4 – a four-oscillator synthesizer, powered by phase modulation and phase distortion. Here’s an overview of the key new features in version 2.3: Ahead of the 2018 NAMM Show, Bitwig has announced Bitwig Studio 2.3, an update that brings a new phase manipulation synthesizer, time signature changes, expanded device view, and much more.